Curated by Vesta Mónica Herrerías
Throughout his life, Pedro Meyer has been creating an album with images of himself. That act of capturing each instant of his own existence, before seeming banal or egocentric, triggers a series of reflections in terms of the diverse readings that his self-portraits offer.
On that track, the curator finds the vocabulary and syntax of the photographerphotographing himself. The fictitious or real situation; the credible, which is always found in the photographic image more than the fidelity to appearance of the subject portrayed; the element of how to remember an “I myself” in ongoing change and with all of his expressions, gestures, masks; the notion of identity and what this implies, the recognition of his own search.