Sunshine and Noir

 

SUNSHINE AND NOIR
Photographs of Los Angeles


I began making “urban landscapes” with a medium-format Holga -a $17 toy camera-in September of 2001, in the immediate aftermath of the 9/11 terrorist attacks. My heart was shattered then, and my career was momentarily ruined. In that upside-down time, I truly had nothing better to do than walk all day, every day, in Los Angeles’ many strange neighborhoods, shooting with a camera that couldn’t see straight.

 

The Holga’s many laughable failures are well known and all-encompassing: focus, exposure and parallax are effectively un-controllable, and the plastic lens is always aberrant, cloudy and vignetted. Much to my surprise, however, the freaky results of that technical dysfunction resembled precisely the pictures I’d been dreaming of in those nightmare days.

 

By obliterating the hyper-detailed, documentary specificity that modern multi-coated lenses have made commonplace, the Holga’s bizarre optics have given me access to a realm of richly-textured suggestion, impression and allusion that I couldn’t achieve in my earlier attempts at the lyrical landscape, which now seem banal and psychologically barren by comparison.

 

 

As I’ve wandered LA’s wide, weird precincts, I’ve been concerned with certain crucial questions: What does it truly look like here, and why don’t the pictures that we show the world resemble the City I walk in every day? What is the meaning or value of history and authenticity in this transient environment, and what does the “authenticity” we fabricate say about us? What are the hidden codes and messages that are borne in the architecture and arrangement of the built environment? Finally, and above all else: what is my personal, alternate vision of the hackneyed local mythos?.

 

 

I believe this body of work begins to address all those questions, and answers the final with some conviction: this book of photographs, using techniques under-explored elsewhere, conveys a casteyed, peripheral vision of the last Great American City - a meandering, minor-key tone-poem about a shiny-dark metropolis at the end of a trampled continent.

 

 

by Thomas Michael Alleman

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home

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statement

 

 

"Sunshine and Noir" by Thomas Alleman.Copyright © 2010 by Zonezero
Web design: Ehekatl Hernández. Picture Editor: Nadia Baram. Webmaster: Alejandro Malo

 


 

Comments (2)
  • Anonymous
    Next time use a Pin Hole Kam and do Ziatypes.

    Forget about developing the 'Holga' myth, Really!

    This site locks up/ drops out and it's cause there is too much stuff in it.

    Say what U gotta say in 7-12 images.... an if Ur going to get intel-ectual about that city, have a few more to compare it to [in photographs].

    Lest send this now.

    The site is locked now and I may not be able to send this message... U wish, Right!





  • max Emilio Aguarón Bonilla
    me encanta,which camera and film did you use
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